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J.S. Bach

J.S. Bach: Matthäus-Passion, BWV 244: VIII. Recitative: Aber am ersten Tage der süssen Brod

Samuel Ricke

3:00	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	20	30	8	6	92%
	24	0	8	5	97%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	20	30	8	6	92%
	24	0	8	5	97%
Continuo.	24	0	8	5	97%
Violone	24	0	8	5	97%
Evangelist.	16	0	6	4	79%
Violino I.	15	0	5	6	69%
	18	0	5	5	67%
Viola.	18	0	5	6	69%
Basso.	17	0	5	4	63%
Alto.	13	0	4	3	42%
Bassoon	21	0	6	4	42%
Soprano.	13	0	5	2	39%
Flauto traverso II.	12	0	2	3	29%
Oboe II.	13	0	2	3	29%
Flauto traverso I.	12	0	1	3	26%
Oboe I.	12	0	1	3	26%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus IV.

Samuel Ricke

2:20	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	25	14	9	9	99%
	24	0	9	7	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	25	14	9	9	99%
	24	0	9	7	100%
Continuo.	24	0	9	7	100%
Tenore.	18	0	7	6	100%
Soprano.	18	0	7	5	98%
Bass	21	0	7	6	93%
Violone.	21	0	8	7	93%
Alto	11	0	5	6	52%

Bach Cello Suite No. 1 in G Major For Guitar

synthmusic

2:48	Est. Play Time
42	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		32	1	11	3	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		32	1	11	3	93%

61. Schaff's mit mir, Gott, nach deinem Willen, SATB, Schemelli, Bach, BWV 514.

Gertim

1:04	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	0	6	100%
T B		15	0	2	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	0	6	100%
T B		15	0	2	5	100%

Gottes Zeit ist die allerbeste Zeit, Actus Tragicus, J.S. Bach, BWV 106, sonatina 1.

SDG

2:28	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	0	3	2	100%
	16	0	3	2	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	3	2	100%
	16	3	2	100%
Alto Recorder I	12	2	5	100%
Alto Recorder II	13	3	5	100%
Bass Recorder	13	2	4	100%
Bassoon	16	3	2	100%
Tenor Recorder	11	1	4	100%
Violoncello	16	3	2	100%

Andante - BWV 1033 - J.S. Bach

Jonis-2pir

1:23	Est. Play Time
26	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		29	5	7	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		29	5	7	6	100%

15. Allein zu dir, Herr Jesu Christ, J.S. Bach, BWV 261, Choral Gesänge, Breitkopf.

Gertim

1:25	Est. Play Time
22	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	4	100%
Tenor/Bass		20	0	7	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	4	100%
Tenor/Bass		20	0	7	5	100%

48. Liebster Herr Jesu, wo bleibst du so lange. Schemelli, J.S. Bach, BWV 484.

SDG

1:19	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		12	0	3	4	100%
T A		21	0	6	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		12	0	3	4	100%
T A		21	0	6	4	100%

Ach Gott und Herr BWV692恩主保佑（馬拉巴禮拜歌）

doctorandrewtam

1:06	Est. Play Time
28	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	0	1	4	100%
		13	0	0	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	0	1	4	100%
		13	0	0	3	100%

Three-Part Invention no.7

Kuhey

2:20	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	0	7	6	97%
	30	0	10	6	55%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	7	6	97%
	30	10	6	55%
Piccolo	19	6	6	94%
Pan Flute	26	7	6	53%
Bassoon	30	10	6	50%

30. Aus meines Herzens Grunde, BWV 269.

SDG

1:20	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	10	0	1	5	100%
	10	0	1	5	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	10	1	5	100%
	10	1	5	100%
	14	0	5	100%
	14	0	5	100%
Soprano/Alto	10	1	5	100%
Tenor/Bass	14	0	5	100%
Contrabass	9	0	4	50%

259. Nun danket alle Gott. Now thank we all our God. BWV 79/3.

SDG

2:10	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	18	0	5	2	100%
Horn in F	16	0	5	7	100%
View all 14 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	18	5	2	100%
Horn in F	16	5	7	100%
Violoncello	18	5	2	100%
Timpani	2	0	4	76%
Soprano/Alto	9	2	3	63%
Tenor/Bass	17	2	4	63%
Flute	7	1	3	55%
	7	1	3	55%
Oboe	7	1	3	55%
	7	1	3	55%
Violin	6	1	2	35%
	7	1	3	55%
Soprano	7	1	3	55%
Viola	7	1	4	55%

J.S. Bach: Matthäus-Passion, BWV 244: II. Recitative - Da Jesus diese Rede vollendet hatte (Share)

Samuel Ricke

1:08	Est. Play Time
8	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	12	11	3	5	90%
	6	0	2	3	88%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	12	11	3	5	90%
	6	0	2	3	88%
Continuo.	6	0	2	3	88%
Violone.	6	0	2	3	88%
Jesus.	14	0	4	3	75%
Viola.	6	0	1	3	75%
Violino I.	7	0	2	3	75%
Violino II.	7	0	1	4	75%
Evangelist.	8	0	0	2	38%

J.S. Bach: Matthäus-Passion, BWV 244: III. Chorale - Herzliebster Jesu

Samuel Ricke

1:00	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	15	0	3	6	100%
	16	0	4	6	100%
View all 14 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	15	3	6	100%
	16	4	6	100%
Alto.	10	1	5	100%
Basso.	15	4	4	100%
Fagotti.	15	4	4	100%
Flauti traversi.	11	2	4	100%
Oboi.	11	2	4	100%
Organo e Continuo.	15	4	4	100%
Soprano.	11	2	4	100%
Tenore.	10	2	5	100%
Viola	10	2	6	100%
Violino I.	11	2	4	100%
Violino II.	10	1	5	100%
Violone.	15	4	4	100%

378. Wie bin ich doch so herzlich froh, BWV1 #6, J.S. Bach. Wie schön leuchtet der Morgenstern.

SDG

1:05	Est. Play Time
16	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	0	4	100%
	9	0	0	4	100%
View all 21 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	4	100%
	9	0	4	100%
	9	0	4	100%
Soprano	8	0	2	100%
	8	0	2	100%
	8	0	2	100%
Bass	14	2	3	100%
	14	2	3	100%
Tenor	9	0	4	100%
	9	0	4	100%
Basso.	14	2	3	100%
Continuo.	14	2	3	100%
Corno I.	8	0	2	100%
Corno II.	10	1	5	100%
Oboe di caccia I.	9	0	4	100%
Oboe di caccia II.	9	0	4	100%
Tenore	9	0	4	100%
Viola.	9	0	4	100%
Violino I.	8	0	2	100%
Violino II.	9	0	4	100%
Violoncello	14	2	3	100%

16. Allein zu dir, Herr Jesu Christ. BWV 33.6.

SDG

1:14	Est. Play Time
18	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	3	5	100%
Tenor/Bass	23	0	6	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	3	5	100%
Tenor/Bass	23	6	6	100%
Contrabass	19	5	4	52%
Bass	4	0	2	20%
Tenor	4	0	2	16%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Sinfonia

Samuel Ricke

1:28	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	17	20	6	5	96%
	19	0	5	6	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	17	20	6	5	96%
	19	0	5	6	100%
Continuo.	16	0	4	5	100%
Viola I.	11	0	2	4	100%
Viola II.	14	0	4	5	100%
Violino I.	16	0	4	7	100%
Violino II.	12	0	3	5	100%
Violone.	16	0	4	5	100%

Contrapunctus XVI

Shoichi

2:34	Est. Play Time
72	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Recorder II	22	7	7	97%
Recorder III	20	7	10	94%
Recorder I	17	5	9	89%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Recorder II	22	7	7	97%
Recorder III	20	7	10	94%
Recorder I	17	5	9	89%

41. Christ lag in Todesbanden. BWV 4.8.

SDG

1:01	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	4	4	100%
Tenor/Bass	22	0	6	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	4	4	100%
Tenor/Bass	22	6	5	100%
Contrabass	15	5	5	50%
Soprano	2	0	1	11%

39. Christ lag in Todesbanden. BWV 278.

SDG

1:01	Est. Play Time
14	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	5	6	100%
Tenor/Bass	22	6	6	100%
Contrabass	15	5	6	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	5	6	100%
Tenor/Bass	22	6	6	100%
Contrabass	15	5	6	50%